The media business is in tumult: from the production side to the distribution side, new technologies are upending the industry. Keeping up with these changes is time-consuming, as essential media coverage is scattered across numerous web sites at any given moment.

Mediagazer simplifies this task by organizing the key coverage in one place. We’ve combined sophisticated automated aggregation technologies with direct editorial input from knowledgeable human editors to present the one indispensable narrative of an industry in transition. Check out Mini-Mediagazer for simple mobiles or Mediagazer Mobile for modern smartphones.

About Preferences. Add Mediagazer to: My Yahoo! Refer to this page to reenable cookies. Top News:. It was an unbundling to rebundle. That’s it. Meant to take on roku but don’t believe it has made a dent. People join for free shipping on dog food and get a video service they’ll never watch! Reuters : Walmart talking streaming deal with Disney, Paramount, Comcast: report.

The influx of CSR ads has helped stabilize Beltway outlets that used to rely mostly on advocacy ads. Opposite of local news political cycle. Now there’s much more consistency. Here ya go: I’m so grateful to be a part of Axios. This team is amazing, and it’s wonderful to see a media deal that isn’t about cutting and synergies but rather about strategic investments, particularly in local news. Many Axios employees are in line for a pretty healthy payday.

Serious reporting on every vertical. One of the best media startup outcomes in two decades. Few people have this kind of convening power across so many verticals.

This doesn’t interest me in the slightest and I hope and expect it won’t go through. Another example of a great product, Unity, not being the same as a great business. Back in , at the dawn of in-app bidding, I proposed that real-time bidding for inventory would cause consolidation on the demand side.

ATT is accelerating that. They want to be together with them instead. IMO, it’s messy. I don’t believe in those synergy figures mentioned. The Wrap : New Warner Bros. You’ll get it when we cant sell another ticket. Lance St. Let the movies that are making money get a full theatrical run. Animation, please read this to make sense of what’s going on.

Discovery actually said about animation during its Q2 earnings call. It won’t spread as far as all the misinformation and conjecture on Twitter, but it will reach the pros who care about accuracy.

We can’t find an economic value for it. Disney’s numbers next week will key. Curiouser and curiouser. Key line: ‘There’s no going back to the linear era of fat profit margins from traditional cable. Add to this the fall of TV from its Soprano-era high and the old cultural industries are flailing. New York Times : Russia has rerouted internet traffic in occupied Ukrainian territories through Russian networks since June , blocking uncensored information and services — Internet traffic in Kherson is being diverted through Russia — Internet routing data for a service provider ….

With help from kentikinc. But it’s likely a sign of things to come as the internet becomes a more important battleground in all world conflicts. Toolkits : Major news publishers grow revenue with a blend of subscriptions and advertising — Subscription models aren’t right for every publisher, but some are building robust advertising and subscription businesses alongside each other. Matthew C. Andrew S. No one is hiding anything Swann made a FARA filing but the mind boggles that this is still happening in This research highlights continued work we’ve done for Columbia university about Assad’s disinformation network.

Enter the travel influencer. I also spoke about how these influencers are getting financial support from western companies. Welcome, mohitlohia! Can’t wait to embark on this next phase of ad innovation with you.

About Mediagazer:. Mediagazer presents the day’s must-read media news on a single page. Latest News Finder:. Featured Newsletter:. Who’s Hiring in Media? Part-time Editor, Remote — Techmeme. Weekend Assignment Editor, Remote — Newsweek. Energy Correspondent, London — Financial Times. Copy Chief, NY — Slate. Finance Reporter, NY — Fortune. Research Ed. Commerce Writer, NY — Engadget. Associate Ed. Contract Data Visuals Ed. See Also:. Mediagazer River : reverse chronological Mediagazer.

Mediagazer Leaderboard : Mediagazer’s top sources. Mediagazer RSS feed. Mediagazer on Twitter. More News:. Once-robust bureaus in High Point, Asheboro, and Eden have shuttered. There’s still a copy desk, but it designs and edits pages for multiple newspapers, with fewer and fewer eyeballs checking for errors.

Things have only gotten worse. A string of wealthy people, including WarrenBuffett, could have saved it. They didn’t. What we’ve got now is pathetic and the void it leaves is dangerous. The role of a local paper is so important, and we all suffer when it’s diminished this way.

The newsroom topped in the early ’00s. A week later, they emailed me to let me know they could no longer afford to fill the position. None of them are being covered. My dad worked in circulation for over 30 years, only to be laid off after the BH Media acquisition because he was the most senior employee in his position.

This article made me cry. What’s left after years of media-conglomerate cuts is a shell of the paper’s former self. Excited to watch them continue to change how younger generations engage with sports! The latest round was led by Liberty Media, which owns Braves and F1.

More on this from JacobFeldman4. Earlier Picks:. Stephen E. WSJ subscriptions pass 3. Australian Financial Review : News Corp warns of economic pressures but profit climbs. So why the diverging fortunes? The role of debt is important: NYT has little. David B. But never have I hated working for a company worse than Gannett. Why does the New York Times prosper while Gannett struggles?

 
 

Salesforce Blog — News, tips, and insights from the global cloud leader.How to do the “free transform” in Motion … – Apple Community

 

I try to keep it to an artists perspective and I know what I’m looking to do and see what I can make of it using which ever particular toolset. I know it’s not really the same as this, but there’s stuff you can do with pastels that you can’t do with oils, but both can be used to create a picture of the Eiffel Tower.

If were talking what one can technically do that the other can’t to me it does look like there is quite a lot, but nothing essential, and for the money it’s Motion all the way for me for motion graphics work. Using the “Puppet Tool” and the versatility of “Shape Layers” in AE are 2 thing that come to mind instantly as things that I don’t get the impression I’d find ways to replicate if I wanted to. What I miss most from AE is the “Clone Stamp” tool, I was gutted to see no version of it in Motion, there are ways to clone of course, but it’s not the same.

And currently I’m not doing anything other than motion graphics in Motion anyway. But that might change as time goes on. I can do it all in Motion I’m interested in how you emulate the puppet tools and AE’s shape layers? After using Apple Motion for 8 years certified since v2 , I can say Motion is great for quick and dirty motion graphics with a lot of dynamics but not many detail work. Even though it is possible to a extent. After Effects is the precision tool for complex animation, visiual effects and advanced compositing.

Motion is truly designed on behavioral animations, presets and ease off use, and less on the fine details. After Effects comes with a pro set of visiual effects tools plus scripting. There is nothing in Motion compared to After Effects Puppet tools The motion graphic area. That’s the first thing I looked into when I started with Motion, I found the same result.

I picked up somewhere that integration between C4d and Motion has recently been improved. I’ve also kept a bit of an eye on what’s going on with Motion over the last few years, the introduction of the new keyer maybe indicates a possible look in to the future of where it’s going.

If so it would match up with this integration improvement and hopefully will get better as time goes on. The template is exported to the Final Cut Pro Titles browser, where it can be applied to the timeline and edited like any other title. See Create a title template in Motion and Create a title background in Motion.

When converting, you can choose to add empty placeholders, or to use images already in your project as placeholders. To use an existing reference image as the Transition A placeholder: Choose an image layer name from the list. To use an existing drop zone as the Transition A placeholder: Choose a drop zone name from the list. The template is exported to the Final Cut Pro Transitions browser, where it can be applied to the timeline and edited like any other transition.

See Create a transition template in Motion and Create a transition background in Motion. You will be able to quickly add your media and customize the opener to fit your next Final Cut Pro or Motion 5 video project.

This stunning template includes animated letters based on the Gilroy Typeface. This resource is completely customizable and easy to use and will give any text you use in Final Cut Pro or Motion 5 some pizzaz. This resource will give your next Motion 5 or Final Cut Pro video a new way to transition between scenes, a zoom. This zoom transition pack will add flair to your next Final Cut Pro or Motion 5 video project.

This template pays homage to the original full-length television intros, making it an excellent template for your next corporate video. Featuring 32 media drop zones and 9 points of editable text, this template is fully customizable. This pack gives you a wonderful new way to incorporate text into title cards. The text will begin to wrap itself circularly around itself for your next Final Cut Pro or Motion 5 project.

This resource makes adding titles and lower thirds to all your Motion 5 and Final Cut Pro videos extremely easy. With 30 fully customizable options, this resource will have you saving time and energy on your projects. So, for the layer order, at the bottom I have the Checkerboard with the shape mask and the 5-sided star with the red outline only on top.

All of these items exist in a Group. I selected the Group and selected the Group inspector. I set Fixed Resolution and adjusted the width and height to just fit the points of the shape. When you select the Distort tool, you will notice it has absolutely NO effect on this Now, the bounding box of the 2D Fixed Resolution group will be used for the Distort a. To help with “softness” issues, start with a larger object and scale down the clone layer object While I’m thinking about it — any animation you apply to any of the objects within the original group will appear in real time in the Clone – it is not a fixed object.

Doesn’t really apply here, but Clones are a very powerful feature in Motion that gets overlooked quite a lot. They are at once, an object, a rasterized movie of its source material, a placeholder for individual frames think emitters and replicators , etc.

May 12, PM. Bending can also be done on 2D shapes with a Page Curl filter:. May 13, PM.

 

– Convert apple motion 5 to after effects free

 

Username: Password: Remember me. Forgot your password? Forgot your username? Co Final Cut Pro Forum. Possible AE to Motion 5 Converter? New boarders will have their posts moderated – Don’t worry if you cannot see your post immediately.

Read More Now I know I’m seeming really lazy but I don’t get much time to edit. And yes I know how much work is put into them. Can anyone help me? Ae and Motion 5 are bit more similar, I don’t know about under the hood, but even in how they operate there are a lot of differences. If it was possible to do this there would definitely be limitations and the converted Ae project would still need rigged and published.

I’d like to say that it isn’t possible, but those guys that made “7toX” have made me nervous about saying stuff like that. It’s not an instant thing, but learning Ae or Motion 5 is well worthwhile, Motion 5 is far cheaper and probably easier to learn too. And you can do stuff in there that looks every bit as good as can be done in Ae. If you don’t have much time, you definitively should learn Motion. It cannot achieve everything that AE does, but it is less complex. I’ve yet to find something AE can do that Motion can’t.

My friends who are fellow certified Motion trainers with Apple, who are also Adobe certified trainers for AE, state this, also. Many, not all, also prefer doing their own work in Motion over AE. It’s just personal preference which workflow you prefer, and which NLE you spend most of your time in. Not as powerful then After Effects but for simple effects it worth it 50 bucks. The scripting in AE is pretty nifty if you know how to.

Until you have figured out AE’s concept halfway the trial period is over. Motion is kinda unwrap it and start playing. Once you understand the GUI, the sky is the limit. The only reason why I have AE. The way I like to look at it isn’t so much what one can do that the other can’t, it’s what I can do with either. If I need to put together some bullet points for a corporate video I can do so in both, but I’ll definitely have different outcomes from each, both looking as good or bad as each other.

Same with an ident, a title sequence, a lower third etc. So for me and in that regard there’s nothing really one can do that the other can’t. I try to keep it to an artists perspective and I know what I’m looking to do and see what I can make of it using which ever particular toolset.

I know it’s not really the same as this, but there’s stuff you can do with pastels that you can’t do with oils, but both can be used to create a picture of the Eiffel Tower. If were talking what one can technically do that the other can’t to me it does look like there is quite a lot, but nothing essential, and for the money it’s Motion all the way for me for motion graphics work.

Using the “Puppet Tool” and the versatility of “Shape Layers” in AE are 2 thing that come to mind instantly as things that I don’t get the impression I’d find ways to replicate if I wanted to. What I miss most from AE is the “Clone Stamp” tool, I was gutted to see no version of it in Motion, there are ways to clone of course, but it’s not the same. And currently I’m not doing anything other than motion graphics in Motion anyway. But that might change as time goes on.

I can do it all in Motion I’m interested in how you emulate the puppet tools and AE’s shape layers? Save time on your next Final Cut Pro project with this exclusive lower thirds resource. Fully customizable and easy to use. Simply place it on the timeline and customize it to fit your brand. This template gives your videos a nostalgic look and feel with a polaroid camera opener. Includes four dropzones for your media and optional background colors, and a camera flash. This wonderful resource pack includes 15 completely customizable animated backgrounds for use with your Final Cut Pro or Motion 5 project.

Simply apply, customize, and go. This resource will save you time and money on creating your next opener for your portfolios. You will be able to quickly add your media and customize the opener to fit your next Final Cut Pro or Motion 5 video project. This stunning template includes animated letters based on the Gilroy Typeface. This resource is completely customizable and easy to use and will give any text you use in Final Cut Pro or Motion 5 some pizzaz. This resource will give your next Motion 5 or Final Cut Pro video a new way to transition between scenes, a zoom.

This zoom transition pack will add flair to your next Final Cut Pro or Motion 5 video project. This template pays homage to the original full-length television intros, making it an excellent template for your next corporate video.

Featuring 32 media drop zones and 9 points of editable text, this template is fully customizable. This pack gives you a wonderful new way to incorporate text into title cards. The text will begin to wrap itself circularly around itself for your next Final Cut Pro or Motion 5 project. This resource makes adding titles and lower thirds to all your Motion 5 and Final Cut Pro videos extremely easy.

With 30 fully customizable options, this resource will have you saving time and energy on your projects. This template allows you to make videos and use the iPhone as the core media source.

Quickly add, edit, and customize how it looks and feels, including optional close-ups. This template incorporates circles in a whole new way. With customizable media sources and beautiful transitions, this will be a welcome addition to your next Motion 5 or Final Cut Pro project.

 
 

Convert apple motion 5 to after effects free.

 
 

For example, when you /13944.txt a standard Motion project to a Final Cut Transition template, you must identify the two layers that will be used as convert apple motion 5 to after effects free Transition A placeholder incoming clip and the Transition B placeholder outgoing clip.

When converting a project to an effect, you can choose to add an empty placeholder, or to use an image already in your project as a placeholder. To use an existing reference image as an Effect Source placeholder: Choose an image layer name from the list. To use an existing drop zone as the Effect Source placeholder: Choose a drop zone name from the list. Note: If the selected drop zone contains an image, the image is retained in the Effect Source placeholder.

You can create a custom category by choosing New Category. Custom categories also appear in the browsers. You can also create a theme by choosing New Theme. For information on where template-related files are saved, see Where are templates saved in Motion? The template is exported to the Final Cut Pro Effects browser, where it can be applied to the timeline and edited like any other effect. See Create an effect template in Motion.

The template is exported to the Final Cut Pro Generators browser, where it can be applied to the timeline and edited like any other generator.

See Create a generator template in Motion. When converting a project to a title, you can choose to add no placeholder, to add an empty placeholder, or to use an image already in your project as a placeholder.

To add a Title Background placeholder containing a reference image: Choose an image layer name from the list. To use an existing drop zone as the Title Background placeholder: Choose a drop zone name from the list. Note: If the selected drop zone contains an image, the image is retained in the Title Background placeholder.

The template is exported to the Final Cut Pro Titles browser, where it can be applied to the timeline and edited like any other title. See Create a title template in Motion and Create a title background in Motion. When converting, you can choose to add empty placeholders, or to use images already in your project as placeholders.

To use an existing reference image as the Transition A placeholder: Choose an image layer name from the list. To use an existing drop zone as the Transition A placeholder: Choose a drop zone name from the list. The template is exported to the Final Cut Pro Transitions browser, where it can be applied to the timeline and edited like any other transition. See Create a transition template in Motion and Create a transition background in Motion.

Click the Transition B pop-up menu, then choose an option as described in Step convert apple motion 5 to after effects free above. Click Convert. If needed, convert apple motion 5 to after effects free a theme from the Theme pop-up menu.

Click Publish.